Night in the Hills
Immersive performative world / Projection Mapping / Experiential Design
Immersive performative world / Projection Mapping / Experiential Design
A temporary world created through movement, music and light.
It existed for one night.
It existed for one night.
A temporary world created through movement, music and light.
It existed for one night.
It existed for one night.
Section 1 — The Birth of the Space
The hall was transformed into a fully immersive environment.
There were no neutral walls.
The image surrounded the audience entirely.
There were no neutral walls.
The image surrounded the audience entirely.
Section 2 — The Forest
The world unfolded in acts.
From stone architecture to living forest.
From structure to growth.
From stone architecture to living forest.
From structure to growth.
The audience was not observing the story.
They were completing it.
Every movement became part of the environment.
They were completing it.
Every movement became part of the environment.
Section 4 — Dissolution
The space dissolved into light and void.
The world disappeared the same way it appeared — through motion.
The world disappeared the same way it appeared — through motion.
Behind the Illusion
Project Facts
14 synchronized projectors
Fully mapped immersive hall
4+ hours of original visual content
Multi-surface environment (walls, ceiling fragments, architectural elements)
Live choreography integrated into visual dramaturgy
Artifacts
Custom artifacts and props were created specifically for the event.
These objects were part of the ritual, not decoration.
These objects were part of the ritual, not decoration.
Credits
Concept & Visual World — Sergei Kozintsev
Organization — Sergei Kozintsev, Anastasia Bazarova, Nikolai Astashkin, Lisa Zalesskaya
Project partner — Artplay Media
Organization — Sergei Kozintsev, Anastasia Bazarova, Nikolai Astashkin, Lisa Zalesskaya
Project partner — Artplay Media
